Silent film fans all over the world have
lauded their favorite on-screen comedians, particularly enjoying the works of
legendary comedians such as Charlie Chaplin, Buster Keaton, and Harold Lloyd.
While each of these comedians had a distinct sense of style and impacted the
film industry in a number of ways, there is one name that is often overlooked:
Max Linder.
Between 1905 and 1907, Linder appeared
in dozens of short comedy films in supporting roles. His first appearance as
“Max” was in The Skater’s Debut (1907),
in which he performs a rendition of the “windmill routine” buy spinning his
cane around, predating Chaplin’s The Rink
(1916). Thanks to the universality of silent films, by 1910, he would become
one of the most popular film actors in the world and the highest paid
entertainer of the day.
Tragically, Linder suffered from mental
illness, an inflated ego, and difficulty in coping with the pressures that
celebrity brought. He died at age 42, committing suicide with his wife, leaving
behind an infant daughter, Maud, and the comedies that audiences all over the
world enjoyed. Though Linder was a mentor to Chaplin, his name is seldom
remembered when reflecting upon the great silent film comedians.
In response, Producer and Director
Edward Porembny seeks to tell Linder’s story through I
Am Max, a docudrama about the
life and career of Linder. Over time, Porembny and his team have established international relationships with Prune
Berge of the Max Linder archives, and the Library of Congress in addition to
various archives in Moscow, Tokyo, Los Angeles, Cuba, and across all of
Europe. According to Porembny, “They are
coming from various different countries across the globe and are adapting what
they know the best to create something completely new about Max.”
Porembny’s work is also
supported by the Niles Essanay Silent Film Museum in Fremont, California, which
has provided a wealth of archival footage including Linder films and the
actuality footage (silent film-era establishing street scenes and
behind-the-scenes shots) that is helping to bring the story to life.
Porembny is
also employing various creative techniques to depict Linder’s life. To further
help audiences feel that they are discovering Linder’s life as it happens,
his team is adding dialogue and color to archival footage and to portions of
Linder’s films, re-using this historic footage in a new way. They are staging
interviews with actors portraying those closest to Linder to accent the illusion,
in an effort to present Linder’s life as artfully and creative as the man
himself. The team is also using a Bell
& Howell 2709B hand crank camera from 1922 to
shoot brand new footage. In short, this project employs
an innovative approach to celebrating an innovative man.
The following institutions are
already supporting the project, in addition to Porembny’s active crowdfunding campaign:
·
AMP
Polska (Poland)
·
Canal
+, Cine + (France)
·
CNC
(French Film Institut) (France)
·
IDA
(USA)
·
Niles
Essanay Silent Film Museum (USA)
·
PISF
(Polish Film Institut) (Poland)
·
Politechnika
Warszawska (Poland)
·
Portrait
& Campagne (France)
·
RTBF
(Belgium)
·
TVP
(Poland)
·
University
of Jeruzalem
·
Wide
House (sales company/distributor) (France)
· Creative
Media Bruxelles and Creative Media TV Broadcasting (Bruxelles)
Presently,
Porembny and his team have arranged a crowdfunding campaign page with various
perks available to contributors in an effort to secure the funds that will help
them put the finishing touches on the film. Funds will
be used for the film’s production efforts, including filming additional
footage, as well as the digitization, colorization, and sonification of the
original footage.
While Porembny’s primary goal is to
craft a fitting tribute to Linder, his project also has another purpose: “In a time during which social media can make anyone a
public figure, we hope our film provokes a larger discussion – especially among
young people – on healthy public lifestyles, social values and priorities, the
dangers of a self-destructive lifestyle, and alternatives to suicide.”
If you are a Linder fan or new to his work, consider exploring his films and contributing to the I Am Max campaign.
